Showing posts with label The Dark Knight Rises. Show all posts
Showing posts with label The Dark Knight Rises. Show all posts

Monday, August 13, 2012

Extra! Extra! Trade Paper Back Edition

Before we start this weeks rendition of "Extra! Extra!", I wanted to introduce the Nerd! He's swung his way onto the banner (in his Scarlet Nerd outfit) and will be popping up in a few other places as well (like my Twitter icon).

I'm contemplating adding a supporting cast to the blog, but I'm not 100% sure what that'd look like. More on this later!

Alright, onto the reading! The five Trade Paper Backs (which I defined at the end of this post, for those getting in late in the game) listed below can probably be found as single issues, I just personally find that they are better collected as one volume.

Note: These are all DC and Marvel, simply because I haven't collected much else in TPB form. As I work more alternative companies into my collection, I will consider making an Independent TPB list.

Kingdom Come
This story is set in a bleak future in the DC Universe, as imagined by Alex Ross and Mark Waid. It is about a decade since Superman and most of the other current super heroes retired. They were replaced by the next generation of Metahumans, a sizable population of super-powered individuals who have no qualms about killing their enemies and have no regard for civilian casualties.

The story is told from the perspective of Norman McCay, a minister who has begun to receive visions from Wesley Dodds that show the end of the world. Dodds meets The Spectre, who takes Dodds on a trip to watch the apocalyptic events unfold.

The story really picks up when a major disaster is caused by the new Matahuman community and Wonder Woman tries to convince Superman to come out of retirement and help teach the new generation how to be heroes.

The heroes of the past have to reunite and overcome the new generation of heroes, the past generation of villains, and, more importantly, themselves.

This book gets an 8/10 from me, mostly because I love dystopian/apocalyptic/darker future settings. The artwork isn't my favorite but it is solid throughout.

Collects issues #1-4


Earth X
Not to be left out, Marvel has their own bleak future (based on notes from Alex Ross, no less). This story takes place about a decade after the end of the "Heroic Age" and is set in a dystopian world where every normal human has gained super powers (thanks to Black Bolt and the Terrigen Mists), making the original heroes obsolete.

This tale is seen from the eyes of X-51 (Machine Man), who has been brought to the Moon by Uatu to replace him as the new Watcher. X-51 watches from above as the world begins to tear itself apart, unaware of the impending doom coming in the form of the Celestials.

Without spoiling anything, we see the future of many prominent characters, and none of them are good: Spider-Man has been replaced by her daughter (the current wearer of the Venom symbiote), Captain America has quite the Avengers, considering himself unfit after killing the Red Skull, the Hulk and Banner have split but chosen to stick together for reasons quickly made obvious, and Iron Man is the last remaining human. That's just a small selection covered in this grand tale, which spans 12 numbered issues and several specials.

This book gets another 8/10 for me. I enjoyed seeing the alternate futures shown and the story kept me interested throughout. I dislike the art for the most part, but it is at least consistent. So far I have read half of the first sequel, Universe X, but have not enjoyed it as much. I've heard that the third chapter in the trilogy, Paradise X, isn't any better.

Collects issues #0-12, as well as #X



Spider-Man Noir
This is another version of a popular hero -- Spider-Man Noir is set during the great depression and thus features a very different kind of Spider-Man. The story is darker to fit the Noir title, as are the villains and other characters seen. Peter becomes a pupil of Ben Urich, a reporter who also has a secret network of informants under the persona "The Spider". Peter gains his powers after intercepting one of these tips and becoming bitten by a spider that came from an antique spider statue being smuggled into the city by Norman Osborn's gang. His powers are similar but different than normal Spidey's: he can't cling to walls and gains organic webbing that doesn't form into web-lines and is therefore useless for travel.

Peter decides to use his new powers to take down Osborn and his gang, who were responsible for the grisly murder of his social activist uncle, Ben Parker.

The dark setting and story as well as the different images of the prominent characters make this story stick out. The art is dark and gritty and fits a Noir style well, getting an 8/10 for me. It's a bit short, unfortunately, and therefore a bit rushed. There is a sequel, titled Eyes Without a Face, but I have yet to pick it up.

Collects issues #1-4


The Mighty Avengers: Venom Bomb
This is the first regular collection on this list! Yay!

I normally don't read much that involved the Avengers, and almost nothing under the title "The Mighty Avengers", but this features a Venom-Virus that runs rampant through New York City, causing its inhabitants to turn into symbiote-like monsters. The Avengers have to fight them off without turning themselves. Then they have to find out who's responsible and stop them as well -- but who in their right mind would create a virus based off of Venom? You get an internet cookie if you guess without peeking!

This gets another 8/10 from me (which, if you haven't gathered, is a pretty good rating). I appreciate the inclusion of symbiotes being taken on by someone other than Spidey. The writing is done well and the story overall is interesting. I don't rate it higher simply because I don't care for The Mighty Avengers and this trade makes up all the issues I own with them.

Collects issues #7-11


Batman: Knightfall
This title makes it on here over other excellent Batman trades for two reasons: first, Knightfall is the story arc that The Dark Knight Rises was based on (link brings you to my movie review!) and second, it is MASSIVE! If you can find this cheap (check Amazon!), you're getting a huge bang for your buck.

This is the first of three installments that make up the "KnightSaga", and this particular collection features Bane's now-famous breaking of Batman -- although that comes after Bane releases the prisoners from Arkham Asylum, causing some of Batman's most dangerous enemies to be set on Gotham. The Bat has his work cut out for him, and it won't end well. The next to installments feature story elements you didn't see in the movies and turns this story into an epic.

I won't rate this one only because I have yet to complete it. That being said, it is definitely one of the best values listed simply because of the amount of issues that are collected within, and the story has definitely become a classic. I plan on doing a more in-depth review once I've finished the entire Saga, and I will put my review score there.

Collected issues Batman: Vengeance of Bane Special #1, Batman #491-500, Detective Comics #659-660, Showcase '93 #7 and 8 and Batman: Shadow of the Bat #17-18



That was a little difficult -- I didn't want to cover anything previously seen. Stories like Old Man Logan and Maximum Carnage could have been up here just as easily, though I'm still happy with the above list.

Next Week: X-Men! This will be interesting because I'm not overly familiar with X-Men. I'll keep it to what I know and can actually suggest, but I'd love suggestions on any of these posts for further reading of my own!

Monday, July 23, 2012

Reviewing The Dark Knight Rises

Opening weekend for The Dark Knight Rises has come and gone. It had a record breaking and then very tragic opening day. For now, I'm going to go into my spoiler full review followed by some character comparisons between the movie and the comics.

For my non-spoiler reaction, click here!

-----------------------------------Spoilers Live Here!-----------------------------

For a Batman (Dark Knight, whatever) movie, the Bat has less screen time than in either of the other films. The focus shifts heavily to the other characters (Gordon, Blake, and Gotham itself is almost a character in the film). That being the case, the action/fight scenes are limited, which is especially noticeable when following The Dark Knight. This was definitely not in the same vein of the other Super Hero movies we've been seeing.

That being said, the fight scenes are good for all that. They are definitely more brawls than anything, but this makes them seem more realistic, and goes along with Batman being older, more damaged. The cage match between Batman and Bane was a great fight, even if I thought the ending knee drop was muted. In the comic, they are able to give a perfect freeze frame.
In this film, happens quickly and is given no extra weight. You actually don't ever see the extent of the damage, other than Bruce appears to be in tremendous pain and unable to move once he's been placed in prison. This is obviously to preserve the potential of recovery without using comic book magic.

An issue with the film was the multiple time jumps the film does. At the start, it is set 8 years after The Dark Knight. I'm not really sure what they purpose of that specific gap was, other than to give Bruce time to become rusty and older and to give Bane a window to have made a name in the criminal underground. Through different parts of the film, more time passes. They are unusually poorly done -- it doesn't seem like much happens in the gaps of time. The rest of the world moves relatively slowly while Batman is recovering. Yes, Gotham is being torn apart, but it was reminiscent of a 30 Days of Night (film) time jump: one minute they are running from vampires, the next they've been hiding for a month in the basement.

My wife noticed a time error in the film as well. At one point, the Stock Exchange is invaded by Bane and his gang. It is in BROAD DAYLIGHT, as you see several times. It is stated, by one of Bane's gang members, that the download they came for would take NINE MINUTES (or something close to that). The gang ends up fleeing from the exchange, during the DAYTIME, while the download continues. A chase scene ensues, including the arrival of Batman. This chase, apparently, happens LAST AT NIGHT -- it is VERY dark outside. The download finishes during this chase scene. The NINE MINUTE download lasts from BROAD DAYLIGHT to LATE AT NIGHT. ... Don't mind the caps, just pointing out how glaring the flaw was.

The problem with the time jumps may be due to another issue with the film that I had: the plot was too grandiose, without reason for it to be so.

Supposedly, the villains want to destroy Gotham utterly, continuing the mission started by the League of Shadows. The rig a nuclear time bomb that prevents outside interference and turn Gotham upside down, allowing convicts and anyone willing to join Bane's army rule of the streets. A court is established to find the wealthy or previously well-to-do characters guilty and sentenced to exile or death (by exile). While I love the Scarecrow cameo, it didn't make enough sense for the villains to wait so long for the bomb to go off. Also, it didn't seem reasonable that Bane or Talia would be willing to sacrifice themselves for one city (seeing as how they never seem intent on leaving before the explosion). The League of Shadows was never Gotham centric -- they destroyed any corrupt city/society.

It was a very comic book set up, one that even included enough time for the hero to recover and find a way to stop them. Nolan avoided this in the past; yes, these were all comic book movies, but they were generally able to avoid the camp that comes with them. The drawn out evil plot is not something I expected to see, even though it has been a Batman staple since his inception. It just didn't seem fitting to me. The villains won and should have made it a complete victory -- Bruce watching Gotham destroyed in any fashion would have broken his spirit enough.

On the subject of camp, Bane's voice made some of his lines, even his great ones, goofier than anything. I loved the way they crafted the character, but that voice really brought the quality of the movie down for me. That I was even able to enjoy the character says something, I suppose.

All of the acting was great, really. I had issue with Selina Kyle's blonde friend, but other than that I think everyone did a phenomenal job and I enjoyed the characters they included and the general story elements of the movie. I'm fine suspending disbelief for a comic book film.

The title of the film, for me, was a misnomer. For the entire movie, Batman doesn't rise, he falls. First, he is out of the suit for eight years while his body atrophies. Then he is beaten handily by Bane and crippled. The next time Batman beats Bane but is stabbed by Talia, resulting in another loss. Finally, Batman dies in an atomic explosion because his plan to defuse the bomb fails. Bruce Wayne, on the other hand, does rise. But I do not equate Bruce with the "Dark Knight". Maybe that is an error on my part, but this was definitely a movie about the death of Batman and the rebirth of Bruce.

I'm sure other meanings can be made to fit the word "Rises", but I'm not willing to play Devil's Advocate at the moment.

The ending of the film and how they handled it did redeem some of the issues I had as well. The revelation of Bruce's faked death was foreshadowed nicely and Blake's finding the Batcave makes an excellent cliff hanger... though it is more of a tease with this being the end of the series and everything I've read saying the next Batman film will be a reboot. If that's the case, they wouldn't have anyone other than Bruce Wayne as Batman, so the ending is mostly just there for flavor, which works.

For now, I'm going to move on to character comparisons. If I feel like adding more to above, I will at a later date!

Batman: This film pulls from the Knightfall series of comics. They feature Bruce Wayne having his back snapped by Bane. Unlike the movie, Bruce is then replaced by Jean-Paul Valley (also known as Azrael). Eventually, Batman gets better and takes the mantle back. In the film, he never relinquishes the cowl and simple (ish) gets better. I thought that the character of Blake was going to end up being Azrael. With the ending, it is possible he does end up becoming the new mantle, though nothing of Blake seems similar to Jean-Paul. I think they way this movie did it was fitting for Nolan's trilogy.
Azrael as Batman

Bane: In the comics, Bane is a genius level criminal that becomes a test subject for a powerful drug called 'Venom', which greatly increases his mass and strength. The movie removed the Venom but kept the genius and made him a skilled fighter, skilled enough to handily defeat the Dark Knight. The movie's back store for him (but attributed to Talia) does pull snippets from the comics: comic Bane WAS born in an underground prison, and the potential candidates for his unknown father were also accurate. Ra's al Ghul was NOT one of them, though an English Merc was a possibility.

I like that they chose to take elements from the comics and I think they chose the correct ones. The plot twist with Talia being the actual child prisoner was interesting and surprising to some fans (though not anyone who knows Ra's only has a daughter). I don't care for (comic) Bane, but I did very much enjoy (Nolan) Bane.
Bane with Venom tubes visible

Catwoman: (Comic) Catwoman has several styles and has had her origin rebooted at least once. As a general description, she is a friend and foe of Batman, similar to Spider-Man's Black Cat. She acts as sex appeal and a female icon in the Batman roster, as well as an off and on romance with the Bat.

(Nolan) Catwoman is never called Catwoman. She is Selina Kyle only, and a burglar who happens to steal from Bruce Wayne and come to work with the Batman. The character is complex and done well in a single serving, which isn't always interesting to do. Surprisingly, I liked Hathaway in the role, which I didn't expect to, though I think this is because the character was re-imaged for the movie.
A modern image of Catwoman

Talia al Ghul: This is one of the characters I do not think Nolan did well with. In the comics, she has a conflicted relationship with her father and Batman. She is one of the Bat's major romances -- she is actually the mother of his son, Damian, the current Robin. Her conflicted character make her an interesting villain. (Nolan) Talia did not have any conflict. She was fulfilling her father's wish. They made her backstory interesting by mixing it with (comic) Bane's, but that is about it.

I think the watered down, one-dimensional villain was a poor display of the Talia character, and I didn't care for the actress they chose. One of the worst death scenes I have ever seen, I think.
One example of Talia, a woman of many outfits

Robin: I really liked the character of John Blake in this film. He was an interesting counterpoint to Batman and Gordon.

He is also the character I have the most issues with.

'John Blake' as a character is NOT from the comics. The tie in is that his first name is 'Robin', leading us to attribute him to Batman's sidekick (the first name isn't revealed until the very end). This was a weak attempt at misdirection and a wasted character spot. Blake's back story of being an orphan could have easily fit (with slight tweaks) the characters of Dick Grayson, Jason Todd, or Tim Drake, the first, second, and third characters to take the Robin mantle, respectively.

My understanding was that Nolan refused to do an actual Robin story. I dislike when a director chooses to let personal opinion change integral characters. I'm not much of a Robin fan, but I know many have their favorite iteration, not a one of which was represented with any faith.

Good character, could have easily been accurate to the comics and been that much better for it.
An image of the many Robins they had to choose from

That's all for now. If anyone would like to see a different character show, say something! I'm leaving out Gordon and Scarecrow because of my disinterest in the former and the limited screen time of the latter. If there's someone I missed, I'd be willing to add them.

Any questions, comments, or concerns, I'd really like to see them! And, if you think I write about anything interesting, follow me! I'd love the support!

Friday, July 20, 2012

The Dark Knight Rises - Initial Reaction (Spoiler Free)




I saw the final episode of the Nolan trilogy last night and have a lot of reactions.

First, to get this out of the way, I don't think this film was better than The Dark Knight and I think the character development in Batman Begins topped what they attempted in this one.

That being said, it is a decent ending to the trilogy, I liked it, and I give it a definite go. Even my wife liked it, and that says a lot considering it kept her up until 3:30am (and I fed her after midnight -- if she gets this reference, I'm so dead).

Throughout the film, there were several things I didn't like. Some of them come from adapting a large story to a movie, others come from design choices with the comic adaptation.

My non-spoiler gripe was Bane's voice. About 50% of the time, possibly more, it is just awkward sounding. I'm glad they didn't go too far with the Darth Vader route, but the entire Bane intro scene made me cringe. Also, some of the lines Bane delivers are actually... campy. Nolan had done decently well before with avoiding camp (for the most part). I don't know the character of Bane THAT well, but that's not something I remember being attributed to the character.

Also, Batman has another moment where his voice/yelling demands is abhorrent. I almost think it's thrown in there as a nod to just how foolish it is, but I'll leave that up to you to decide.

If you know the comics, you will catch most of the plot twists before they slap you. If not, they did such a good job that people in the theater were really surprised. I wasn't embittered that I already knew what was going to happen, and they had at least one surprise that, even if you've read every issue of Batman, you wouldn't necessarily see coming.

I can't go into too many of the things I really liked or the other things I had issues with without giving mild spoilers, and I am going to avoid that in this post. Come Monday, I'll do a full run down.

As a final comment, I think they nailed the pacing for the length of the film. Yes, some things were a bit rushed. Yes, I personally would have done certain things different. And yes, it is still a long movie. That being said, it didn't feel like a long movie. The Dark Knight almost feels like two movies when you're watching it, and that is a major issue with pacing that isn't present in The Dark Knight Rises, which is actually 12 minutes longer.

That's all for now folks, next post will include a more detailed "The Good, the Bad, and the Ugly" review of The Dark Knight Rises as well as some character analysis for those who have no idea who the hell Batman beat up this time (or why the crowd kept clapping at random points).

I'd love to see some other reactions in the comments, but please avoid spoilers until Monday!!

Thank you!